Sunday, October 30, 2011

Stan Lynde - Rick O'Shay















On my father’s ranch I learned that no task was beneath me, and that if a job needed doing, somebody needed to do it.
I was born in the heart of the Great Depression. Dad considered himself fortunate to find work herding sheep at $30 a month on the open ranges of the Crow Indian Reservation in southeastern Montana. With my mother and me, Dad followed the sheep to new grass and a variety of temporary homes—sheep wagons, tents, dugouts, cabins and ranch houses.
When I was about five, I found out comics were written and drawn by people called cartoonists. It had never occurred to me that a person actually wrote and drew comic strips; I’d thought they were some kind of a natural wonder, like Old Faithful or the Grand Canyon. I resolved from that day . . . 

Sunday, October 23, 2011

Jack Davis Original Art

MAD Magazine's Jack Davis designed the characters for the 1970's Jackson Five animated television series. 

Wednesday, October 19, 2011

Unused Cover Sketch


Occupy Design

Occupy Design: Visual Tools for the 99 Percent


Last weekend, San Francisco, New York, and Washington, D.C. hosted spontaneous "Hackathons" to brainstorm how to use various platforms to help Occupy Wall Street. One of the ideas hatched was Occupy Design, a new website that gives a "visual language" to protesters across the country. Jake Levitas, a designer from San Francisco who's heading up the project, says it's a chance to fight back at media who characterize the movement as directionless.

"These are people who have valid concerns grounded in reality and grounded in data that can be communicated visually," Levitas says. "If we get these signs on CNN instead of the ones that say 'Screw capitalism' on a piece of cardboard," viewers don't see a generic grievance but "exactly how people are being screwed and by how much. It’s a lot harder to argue with statistics than it is with talking points."

The site provides big-think infographics that illustrate data on the wealth gap, symbols for overarching concepts like "justice" and "community," and practical signs to use on the ground like "toilet" and "landfill." Levitas says it's a chance for designers and techies to contribute to the movement, even if they can't make it to a protest.

"There’s all this untapped potential for people who are extremely talented," he says. "It's essentially a way to connect occupiers and designers. Everyone has a different role in this movement."

--The Daily Good

Monday, September 19, 2011

Thursday, September 8, 2011

We all put our pants on one leg at a time...

... and sometimes, that's just the beginning...




Friday, September 2, 2011

Wacom Inkling

If you don't have 200 bucks lying around somewhere, I bet you'll find it real fast.

Thursday, August 18, 2011

White Board Animation

This is a more recent white board 'animation', or presentation, which I call Graffideo. These sped-up white board illustrations are becoming popular for presentations and as marketing tools.


Wednesday, August 17, 2011

Captain America - Avengers

Here's a shot of Chris Evans as Captain America in his modern uniform, from the filming of The Avengers movie. I haven't seen Captain America yet, but I like the premise, and the amazing result of making Chris Evans a 97-lb. weakling.

Maybe some day they'll make a superhero movie I can watch with my kids . . .

Wednesday, August 10, 2011

Monster designs

(Click to enlarge)

The Dragon Stone

Stacy Curtis has a new book out in September, 2011: The Rocky Cave Kids - The Dragon Stone, written by Dian Curtis Regan.

Tuesday, August 9, 2011

Friday, August 5, 2011

Weird Al NPR Interview

Al Yankovic talked with Weekend Edition at NPR about Wes's illustrations for When I Grow Up:


HANSEN: Yeah. Tell us a little bit about the illustrator, Wes Hargis.
Mr. YANKOVIC: When he was given the text, he wasn't told whose text it was. Harper Collins just gave him the text and said let's see some character designs based on this. He might have done a gorilla masseuse illustration for it and he thought, oh this is beautiful. And Harper Collins gave him the job after I'd signed off on it. And when he found out it was working for me, he was even more thrilled.
HANSEN: Well, the whole idea of the gorilla masseuse - I'll explain the picture - is this huge gorilla on a massage table and little Billy is up kind of working his shoulder blades. And there's also an illustration of him milking a giraffe, I believe?
Mr. YANKOVIC: Yes. Wes is really, really good at animal illustrations, portrait.
HANSEN: Yeah, yeah. And it's beautiful 'cause it's realistic yet impressionistic at the same time.
Mr. YANKOVIC: It is. And I love the detail in it. You know, it's the kind of illustration where a kid can stare at a two-page spread for an hour and just pick out little details and little funny gags here and there.
Source: NPR

Thursday, August 4, 2011

I Know That Artist!


Carol Hinz, Editorial Director at Lerner Publishing Group, had this to say in a recent Lerner blog post:

I Know That Artist!
By Carol Hinz at 9:49 AM

Lately, I've been seeing references to Weird Al's picture book, When I Grow Up, all over the place. This weekend, NPR even had an interview with Mr. Yankovic. This interview included a discussion of the delightful illustrations, which are by Wes Hargis.

I'm not surprised at positive reactions to the artwork. After all, before he was Weird Al's illustrator, Wes charmed all of us with his illustrations for Jackson and Bud's Bumpy Ride, published in 2009. I especially like the way Wes brought the Bud the bulldog to life. Bud became the mascot for the very first successful cross-country automobile trip in 1903. I highly recommend this book for anyone interested in automobile history, adorable bulldogs, or Wes Hargis's wonderful illustrations!


Wednesday, August 3, 2011

Wes Hargis Interview

The Eastern Arizona Courier recently interviewed Wes. Writer Jennifer Griffith writes on her blog:


"Well, I submitted my article and review of Wes Hargis's interview for the Yankovic illustration job, and she liked it. A lot. Enough to slap it on the front page of the Sunday paper."



Link

Tuesday, August 2, 2011

Mile 44

I ran across this December, 2010, article about Mile 44, the screen printing company that partners Stacy Curtis and Dave Windisch. Some folks know Stacy as an editorial cartoonist, others as a children's book illustrator, but if you've got an indie band, you probably know Stacy better for his posters.
Link: NUVO article

Monday, August 1, 2011

Sunday, July 31, 2011

"When I Grow Up" iPad App

I just read a favorable write-up for Wes & Al's interactive iPad app for their picture book When I Grow Up.
Link: WIRED article

Friday, July 29, 2011

Healthy Cartooning

I try to draw several servings of fruits and vegetables each day.
CTE