Wednesday, March 27, 2013

San Diego Comicon 1975

When Comicon was actually a comics convention...

(From Stan Lee's Soapbox, 1976)

Okay, gang, it's name-dropping time again! Recently, I was guest of honor at the San Diego Comic Convention, and what a terrific Con it was. Let me just take a minute to thank Richard Butner and Shel Dorf for being the best hosts possible, and -- while we're at it -- I thought you'd like to know some of the really great guys I ran into out there.

First of all, there was Jerry Siegel, the creator of Superman, looking as young as he did when he used to toil her in the Bullpen. Then, there was artist-writer Don Rico, now teaching a course in comics at UCLA, and as much fun to bend an elbow with as when we were both teenage rookies in the early days of comics.

Sci-fix greats Ray Bradbury, Ted Sturgeon, and George Pal would have made the Con a success by themselves -- and next year I hope we can spend still more time together.

And what's a ComicCon without my ol' pal Will Eisner and me tryin' to upstage each other on the podium? And you should'a seen the great sketch that MAD's Sergio Aragones presented me with -- if I thought I looked that way I'd shoot myself! (Put the gun away, Forbush -- I'm only kiddin'!)

It was great seeing Mell ("Miss Peach" and "Moma") Lazarus again, even if I do envy the fact that he's moved to the West Coast! And, helping me judge a costume contest, was none other than Jim Steranko, who's really a great judge ('cause he agreed with all my choices!)

And let's not forget the mighty Marvel contingent! There was Marv Wolfman, all over the place, as budding artists and writers pursued 'im like mad with their samples. Also, it was a real treat running into Russ Heath, Jim Starlin, Ernie Chua, and not only Jack Kirby -- but the whole captivatin' Kirby clan -- son, daughter, grand-daughter, and Jack's lovely wife Roz.

Hey, I almost forgot -- Chuck Norris, one of the greatest martial arts experts of all, gave an exhibition I'll never forget -- and you'll be reading more about it in our own kung-fu mags.

Yep, it was a real classy Con -- and it'll give us something' to shoot at this Easter when we have our own Marvel Con in New York. (And those of you who attended our last Con don't haveta be told -- we're pretty good shooters!)

Two more things I've gotta say before we wrap this up. I also met Captain Sticky and Gabe Wisdom. Captain Sticky is a real, live, costumed superhero who's become a sensation on the West Coast. You'll be seeing him soon in some of our comicbook yarns, so I won't say much more 'cause I don't wanna kill the surprise. But I'll tell you this -- the guy is too much! As for Gabe Wisdom, he's a radio personality who's been doing a Thor act in Hawaii and on the Coast, and he's so great at it that I've gotta find a way to get him to our Con this Easter -- along with Captain Sticky.

Yep, there's a lot of fun and excitement coming your way, gang, so stay tuned to Marvel and, while you're waiting, never tickle a tousled tadpole, 'cause the eyes of Marveldom are ever upon thee!

Excelsior!


Saturday, March 9, 2013

Fennec Fox

This is a recent poster design. I drew it in ArtRage and then worked on it some more in Photoshop. It was inspired by this awesome photograph of a fennec fox kit by In Cherl Kim, the PR Manager of Samsung Everland, a theme park in South Korea.

Sunday, December 2, 2012

Thursday, November 29, 2012

Tuesday, November 27, 2012

Sunday, November 4, 2012

Monday, October 15, 2012

I NEED MY OWN COUNTRY!

I had the privilege of working on the incredibly talented Rick Walton's "I NEED MY OWN COUNTRY".  The books came in last week and I couldn't be happier with how they turned out.  The team at Bloomsbury was just great.

I was invited in to some classrooms at my kids elementary school and blasted the book spreads across a huge screen with an overhead.  I love how they responded to it. It's such a fun read.

-W.

Friday, September 14, 2012

Cover sketch

© Ted Dawson

Tuesday, May 15, 2012

A bit of everything.

Ted introduced me to Artrage a while back. A digital art program that simulates oils and acrylics amazingly well. See his amazing work here.

This is a closeup of a traditional piece I did below, but once it was scanned in I was able to keep throwing strokes down here and there when I saw a need. It works well with photoshop if you export the file right.

Fun little addition to my tool collection.

-Wes

Friday, April 13, 2012

Interview with Stacy Curtis!


A great interview with our pal Stacy over at Tom Racine's Tall Tale Radio. Stacy began inking duties for Richard Thompson's "Cul de Sac" not long ago. I think John Glynn at Universal made a great choice in seeking out Stacy for one of the best strips going. Both Richard and Stacy have that scratchy zaniness in their lines that I just love.

I think the best part of this interview was learning how Dueling Banjo Pigs was started with Guy Francis.

-W.

Thursday, February 2, 2012

Wednesday, February 1, 2012

Sketches


You might not see it, but I felt a little of Wes's influence on this sketch of the chef.

Tuesday, January 31, 2012

Some faces.



Fun with creating a character for an upcoming book.

Thursday, January 12, 2012

Wednesday, January 11, 2012

Friday, December 23, 2011

Slowing down.


Wishing everyone a Happy Holiday. Arizona is usually beautiful this time of year. This year, not so much. So it's indoors for a while.

-W.

Friday, December 9, 2011

Pro tip maybe?



We've discussed the nuances of scanning watercolor paper quite a bit on this blog in the past. Ted observed that turning a watercolor paper 90 degrees helps at times if a scan is not showing up well. I have a trick I'd like to add

To get a "flat" scan on bigger pieces that might have a few visible bumps in your scans just turn the paper art side down on a towel and mist it with water, soak up any small pools with another towel and then repeat until the paper gives in and lays flat. Then just scan it in slightly wet.

Obviously, be careful to not get the art side wet in any way. It should feel dry.

-W.

Saturday, December 3, 2011

Saturday, November 12, 2011

Maze

I like this painting that I ran across by James Jean.

Sunday, October 30, 2011

Stan Lynde - Rick O'Shay















On my father’s ranch I learned that no task was beneath me, and that if a job needed doing, somebody needed to do it.
I was born in the heart of the Great Depression. Dad considered himself fortunate to find work herding sheep at $30 a month on the open ranges of the Crow Indian Reservation in southeastern Montana. With my mother and me, Dad followed the sheep to new grass and a variety of temporary homes—sheep wagons, tents, dugouts, cabins and ranch houses.
When I was about five, I found out comics were written and drawn by people called cartoonists. It had never occurred to me that a person actually wrote and drew comic strips; I’d thought they were some kind of a natural wonder, like Old Faithful or the Grand Canyon. I resolved from that day . . . 

Sunday, October 23, 2011

Jack Davis Original Art

MAD Magazine's Jack Davis designed the characters for the 1970's Jackson Five animated television series. 

Wednesday, October 19, 2011

Unused Cover Sketch


Occupy Design

Occupy Design: Visual Tools for the 99 Percent


Last weekend, San Francisco, New York, and Washington, D.C. hosted spontaneous "Hackathons" to brainstorm how to use various platforms to help Occupy Wall Street. One of the ideas hatched was Occupy Design, a new website that gives a "visual language" to protesters across the country. Jake Levitas, a designer from San Francisco who's heading up the project, says it's a chance to fight back at media who characterize the movement as directionless.

"These are people who have valid concerns grounded in reality and grounded in data that can be communicated visually," Levitas says. "If we get these signs on CNN instead of the ones that say 'Screw capitalism' on a piece of cardboard," viewers don't see a generic grievance but "exactly how people are being screwed and by how much. It’s a lot harder to argue with statistics than it is with talking points."

The site provides big-think infographics that illustrate data on the wealth gap, symbols for overarching concepts like "justice" and "community," and practical signs to use on the ground like "toilet" and "landfill." Levitas says it's a chance for designers and techies to contribute to the movement, even if they can't make it to a protest.

"There’s all this untapped potential for people who are extremely talented," he says. "It's essentially a way to connect occupiers and designers. Everyone has a different role in this movement."

--The Daily Good

Monday, September 19, 2011

Thursday, September 8, 2011

We all put our pants on one leg at a time...

... and sometimes, that's just the beginning...




Friday, September 2, 2011

Wacom Inkling

If you don't have 200 bucks lying around somewhere, I bet you'll find it real fast.

Thursday, August 18, 2011

White Board Animation

This is a more recent white board 'animation', or presentation, which I call Graffideo. These sped-up white board illustrations are becoming popular for presentations and as marketing tools.


Wednesday, August 17, 2011

Captain America - Avengers

Here's a shot of Chris Evans as Captain America in his modern uniform, from the filming of The Avengers movie. I haven't seen Captain America yet, but I like the premise, and the amazing result of making Chris Evans a 97-lb. weakling.

Maybe some day they'll make a superhero movie I can watch with my kids . . .

Wednesday, August 10, 2011

Monster designs

(Click to enlarge)

The Dragon Stone

Stacy Curtis has a new book out in September, 2011: The Rocky Cave Kids - The Dragon Stone, written by Dian Curtis Regan.

Tuesday, August 9, 2011

Friday, August 5, 2011

Weird Al NPR Interview

Al Yankovic talked with Weekend Edition at NPR about Wes's illustrations for When I Grow Up:


HANSEN: Yeah. Tell us a little bit about the illustrator, Wes Hargis.
Mr. YANKOVIC: When he was given the text, he wasn't told whose text it was. Harper Collins just gave him the text and said let's see some character designs based on this. He might have done a gorilla masseuse illustration for it and he thought, oh this is beautiful. And Harper Collins gave him the job after I'd signed off on it. And when he found out it was working for me, he was even more thrilled.
HANSEN: Well, the whole idea of the gorilla masseuse - I'll explain the picture - is this huge gorilla on a massage table and little Billy is up kind of working his shoulder blades. And there's also an illustration of him milking a giraffe, I believe?
Mr. YANKOVIC: Yes. Wes is really, really good at animal illustrations, portrait.
HANSEN: Yeah, yeah. And it's beautiful 'cause it's realistic yet impressionistic at the same time.
Mr. YANKOVIC: It is. And I love the detail in it. You know, it's the kind of illustration where a kid can stare at a two-page spread for an hour and just pick out little details and little funny gags here and there.
Source: NPR

Thursday, August 4, 2011

I Know That Artist!


Carol Hinz, Editorial Director at Lerner Publishing Group, had this to say in a recent Lerner blog post:

I Know That Artist!
By Carol Hinz at 9:49 AM

Lately, I've been seeing references to Weird Al's picture book, When I Grow Up, all over the place. This weekend, NPR even had an interview with Mr. Yankovic. This interview included a discussion of the delightful illustrations, which are by Wes Hargis.

I'm not surprised at positive reactions to the artwork. After all, before he was Weird Al's illustrator, Wes charmed all of us with his illustrations for Jackson and Bud's Bumpy Ride, published in 2009. I especially like the way Wes brought the Bud the bulldog to life. Bud became the mascot for the very first successful cross-country automobile trip in 1903. I highly recommend this book for anyone interested in automobile history, adorable bulldogs, or Wes Hargis's wonderful illustrations!


Wednesday, August 3, 2011

Wes Hargis Interview

The Eastern Arizona Courier recently interviewed Wes. Writer Jennifer Griffith writes on her blog:


"Well, I submitted my article and review of Wes Hargis's interview for the Yankovic illustration job, and she liked it. A lot. Enough to slap it on the front page of the Sunday paper."



Link

Tuesday, August 2, 2011

Mile 44

I ran across this December, 2010, article about Mile 44, the screen printing company that partners Stacy Curtis and Dave Windisch. Some folks know Stacy as an editorial cartoonist, others as a children's book illustrator, but if you've got an indie band, you probably know Stacy better for his posters.
Link: NUVO article

Monday, August 1, 2011

Sunday, July 31, 2011

"When I Grow Up" iPad App

I just read a favorable write-up for Wes & Al's interactive iPad app for their picture book When I Grow Up.
Link: WIRED article

Friday, July 29, 2011

Healthy Cartooning

I try to draw several servings of fruits and vegetables each day.
CTE

Bad Guy


Thursday, July 28, 2011

Wednesday, July 27, 2011

The Flash

CTE (Click to Enlarge)

Monday, July 25, 2011

Sunday, July 24, 2011

Tuesday, July 19, 2011

Amy Lou and the Chamber of Hargis

Drawn in ArtRage2. Electricity glow added in Photoshop.

Thursday, July 7, 2011

Summer Reading Program

The kids and I wound up with our picture in the local paper while at the library participating in the Summer Reading Program. We generally hit the library every couple of weeks.

(Click to enlarge)

Sunday, July 3, 2011

Recipes.


We're doing an update on the "When I Grow Up" app and one of the games needed some recipes from Billy, the protagonist. Here are some of them. They look delicious. -W.

Saturday, July 2, 2011